My heroes at the time were guys like Hendrix, Slash and Jimmy Page. Chet Atkins did not feature. Today, though, it would be a different story. Not only was Chet a fantastic guitar player; his sage wisdom on the subject of pickin’ was most definitely bedroom wall worthy. So, with that in mind, I’ve compiled a selection of my favorite Chet Atkins quotes for your reading pleasure. If these speak to you, then I’d heartily recommend printing some of them out and putting them up in your practice space. They’ve been motivating me these past few weeks; hopefully they’ll do the same for you.
“Jim Marshall & Son” opened in July 1960 at 76 Uxbridge Road in Hanwell, England. For the aspiring instrument seller, it was a case of right place; right time. Within a few short years, the London rock scene was burgeoning. Soon, the likes of Mitch Mitchell, Pete Townshend, Eric Clapton and John Entwistle flocked to the renamed “J & T Marshall”, by now the de-jour supplier of guitars and amplifiers for the new breed.
Arguably rock’s greatest producer, nobody captures those sounds better than Eddie Kramer. Even if you don’t know the name, you’ll know the records he helped make: Led Zeppelin II, Frampton Comes Alive, Physical Graffiti, Kiss Alive!, The Woodstock Soundtrack, All You Need Is Love and pretty much the entire discography of Jimi Hendrix. Given his near sixty-year career behind the mixing desk, Kramer has a thing-or-two to impart about the ins-and-outs of the recording process. Today, we’ve selected some choice observations from our favourite Eddie Kramer interviews.
The Grand Auditorium Bodyshape, the NT Neck and “V-Class” Bracing are all products of the company’s unique approach, and brought new life to a centuries old instrument. It’s not just Taylor’s instruments that win them accolades, though. In the past twenty years, the company has led the charge when it comes to making sustainable guitars. Today, we’re going to find out how they changed the sustainability game by changing the way they sourced their woods.
Back in 2018, we ran a feature on the history of the Martin D-28. Today, for a long overdue follow-up, we’re looking at some of the players that made the guitar so iconic. The list of legendary D-28 wielders is so long that we’d need an entire article series to cover them all. For the time being though, we’re focusing on three of our D-28 playing guitar heroes and the stories behind their instruments.
In the world of rock n’ roll, they don’t come much more iconic than Chuck Berry. One of the most influential players of all time, the likes of John Lennon, Keith Richards and Angus Young owe an enormous debt of gratitude to Chuck and the legacy of music he created. It goes without saying, then, that studying Chuck’s playing is about as fundamental a course in rock guitar as you can get. Today, we’re highlighting three ways that you can achieve that classic Chuck Berry sound.
As rock critic Colin Maguire noted, on one side were the Collins detractors who claimed "[Genesis] sold out and became too corporate when Collins stepped into the spotlight." On the other were those who argued that “the [prog-heavy] Gabriel years were boring and hard to stomach.” Today, those factions remain.
Black Sabbath’s Tony Iommi is the man who invented heavy metal. “War Pigs,” “Children of the Grave,” “Symptom of the Universe”: those seismic riffs presented a blueprint that a generation of hard rock axe-wielders would follow. Circa 1970, Iommi’s playing sounded like nothing out there. His doom-leaden, monolithic, end-of-the world riffs were, well, heavy… man.
Introduced in 1971, the SG-100, SG-200 and SG-250 were intended to supersede Gibson’s budget friendly Melody Maker instrument as the company’s entry level offering. As you’re probably aware, however, they didn’t. Indeed, within one year, production of SG-100s, 200s and 250s had ceased altogether. So what happened? Why did these budget model SGs fail, and are these much-maligned guitars due a re-evaluation today? Hold on to your hats, ‘cause we’re about to find out.
Guitar pedals are incredible tools. But, sometimes, the sheer wealth of pedals on the market leads to option paralysis. To put it another way, there are so many choices out there, we end up not actually choosing any because we’re so overwhelmed by it all. While mulling this problem over the other day, I had a thought. If I were restricted to owning only a handful of pedals, what would I choose? What – for me anyway – are the essential units that help me craft the guitar sound I like?
As we all know, the right number of guitars to own is always one more than you currently have. Yes, there are individuals that have a monogamous relationship with one instrument. But we’re betting that the majority of readers have a couple of six strings on the go at any given time. We all like to buy guitars. However, not all guitar buyers are alike. In our experience, there are three kinds of guitar buyer out there. And, there are pros and cons to each approach.
Gibson’s Flying V is such an icon, it transcends the realm of guitar nerdery. Along with Fender’s Strat and Gibson’s Les Paul, it’s one of the most recognizable guitar silhouettes of all time. And, at one time or another, it’s an instrument that every would-be head banger has coveted. But, the Flying V wasn’t an instant hit with customers on its release in 1958. Indeed, it would be almost two decades before Gibson’s futurist axe found its sizable niche. In today’s post, we’ll find out why. But first, we need to know what was going on with Gibson’s number one product circa 1957…
The original version of “Comfortably Numb” – the one first heard on Floyd’s 1979 opus, “The Wall” – is so iconic that it’s hard to imagine the song any other way. But, it could have been a very different story. Floyd lead men Roger Waters and David Gilmour had completely opposite visions for the track, resulting in much friction between the already strained writing duo. Today, we’re taking a dive into the making of “Comfortably Numb”; where it came from, how it evolved, and the fraught, fracturing partnership that produced it.
We’re back with part two of our MTV Unplugged iconic performances rundown. In this edition, we’re covering three more of the show’s legendary episodes and what made them so special. So without further ado, let’s dive in with a ‘70s superstar rediscovering his roots…