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What’s the one gig you wish you’d been to?
I love this question. It tells you a lot about a person’s musical taste and is often a lot more revealing than getting them to list their favorite band or favorite album.
There are a couple of pretty standard answers as well. Led Zeppelin at the L.A. Forum, Woodstock, The Stones at Madison Square Garden in ’69, Live Aid, The Beatles at the Cavern, the Beatles in Hamburg, the Beatles at Shea Stadium… everyone wishes they’d seen the Beatles basically.
My answer? The California Jam 1974.
Cal Jam doesn’t get the same love as festivals like Monterey Pop or Woodstock. Maybe it’s because it doesn’t have the late ‘60s countercultural cred, happening a full five years after the summer of love reached its peak. Maybe it’s because it was staged to be filmed for television (as part of ABC’s legendary “In Concert” series).
Why do I love California Jam so much? It is because it established the record for the largest concert sound system ever assembled? Was it because it featured the first ever appearance of the Good Year blimp at a music festival?
Rare Earth
Earth, Wind and Fire
The Eagles
Seals and Crofts
Black Oak Arkansas
Black Sabbath
Deep Purple
Emerson, Lake and Palmer
Just look at that line-up! If that isn’t an all killer, no filler line-up, I don’t know what is. Eight great acts, all playing at the top of their game; for that "$10 in advance or $15 at the gate" ticket price, you got your money’s worth.
I’d quite happily have spent all day in the California sun (an abnormally warm day for April by all accounts) taking all of that in. But there’s one particular Cal Jam performance I’d have been front and centre for…
Deep Purple.
I’ve spoken about my love of the Purps – especially the Mark III Purps – in this column before. And the Cal Jam might just be their finest hour. The band was on fire that day – quite literally when amishap with a pyrotechnic effect caused one of Ritchie Blackmore's amplifiers to explode – and gave what is quite possibly a career best performance. I’ve watched the ABC Concert broadcast so many times and I’ve worn out VHSs and DVDs in the process. As far as I’m concerned, it’s a masterclass in hard rock performance. Watching it recorded is exhilarating enough, and I can only imagine what it must have been like in the flesh.
So that’s my pick. But what is yours? If you could have been to any one gig, what would it have been? More importantly, why do you wish you’d been there? Doesn’t matter if they’re legendary shows or local band gigs – we want to know about them. As always, share your stories in the comments!
It’s safe to say that some of the most influential musicians in the 1960s came from Britain. The list sure backs up that fact: Eric Clapton, Jimmy Page, Jeff Beck, Pete Townshend, Peter Green, Richie Blackmore, John Lennon, George Harrison, and I can go on and on and on...
Notice, though, that I said musicians, not just guitarists. There are many heroes to be found for every instrument, particularly with our focus for this piece: the drums.
I’m not sure what the origin of this particular instrument was (though we may find out later), but maybe it was a crafty guitarist who thought: “You know what’s better than six strings? Double! Twelve strings!”
This story likely isn’t true, but the 12-string guitar is valuable in any guitarist's arsenal. With its thick, bright, and lush sound, the instrument has been a staple in most styles of music since its inception.
From being found in the wash to being left on counters and desks to being counted with change out of a guitarist’s pocket, guitar picks are the definitive proof that the holder undoubtedly plays the instrument.
But as omnipresent as they are, how many guitarists have pondered the history of the pick itself? Who are they? What were they doing?
