When an artist dies before their time, you always wonder what could have been. What could that “final” album have sounded like? How would those musicians have developed?
Now, an organization called Over The Bridge has used AI technology in attempt to answer that question, and promote better mental health in the music industry in the process.
Last week, the initiative unveiled an EP called “Lost Tapes of the 27 Club.” The project presents imagined “unearthed recordings” by Kurt Cobain, Amy Winehouse, Jim Morrison and Jimi Hendrix – members of the so-called 27 Club that died prematurely as a result of mental health and substance abuse issues.
Vice explains how Over The Bridge was able to generate the eerily sound-alike tracks:
“Created with an algorithm that isolates hooks, rhythms, melodies and lyrics, The Lost Tapes learnt from the music and generated a string of all-new, but thematically similar songs. An audio engineer took the AI-generated musical elements… and used them to compose the album.”
The algorithm in question is Google’s Magenta, and it’s not the first time it’s been used to make music. Back in 2016, Sony’s Computer Science Laboratories used the algorithm to generate “Daddy’s Car,” a pop song “written” in the style of the Beatles:
Thanks to the use of some talented tribute act vocalists and period-appropriate production, the effect is often uncanny. To hear what we’re talking about, check out the clip of “Drowned In the Sun” – an imagined Nirvana song featuring Eric Hogan of Nirvana tribute band Nevermind – below:
On their website, the producers of The Lost Tapes of the 27 Club explain that there’s more behind the album than just nostalgia. The project was designed to highlight the mental health crisis in the music industry in a hope to encourage better mental health support for musicians, crew and other industry insiders:
“As long as there’s been popular music, musicians and crews have struggled with mental health at a rate far exceeding the general adult population. And this issue hasn’t just been ignored. It’s been romanticized, by things like the 27 Club—a group of musicians whose lives were all lost at just 27 years old.
“To show the world what’s been lost to this mental health crisis, we’ve used artificial intelligence to create the album the 27 Club never had the chance to. Through this album, we’re encouraging more music industry insiders to get the mental health support they need, so they can continue making the music we all love for years to come.
Because even AI will never replace the real thing.”
It’s a commendable effort from Over The Bridge and a great way to celebrate the music of those artists while de-romanticizing the very real issues that lead to their untimely deaths.
It’s safe to say that some of the most influential musicians in the 1960s came from Britain. The list sure backs up that fact: Eric Clapton, Jimmy Page, Jeff Beck, Pete Townshend, Peter Green, Richie Blackmore, John Lennon, George Harrison, and I can go on and on and on...
Notice, though, that I said musicians, not just guitarists. There are many heroes to be found for every instrument, particularly with our focus for this piece: the drums.
I’m not sure what the origin of this particular instrument was (though we may find out later), but maybe it was a crafty guitarist who thought: “You know what’s better than six strings? Double! Twelve strings!”
This story likely isn’t true, but the 12-string guitar is valuable in any guitarist's arsenal. With its thick, bright, and lush sound, the instrument has been a staple in most styles of music since its inception.
From being found in the wash to being left on counters and desks to being counted with change out of a guitarist’s pocket, guitar picks are the definitive proof that the holder undoubtedly plays the instrument.
But as omnipresent as they are, how many guitarists have pondered the history of the pick itself? Who are they? What were they doing?