Peter Green: Remembering a Legend

July 31, 2020 2 min read

Peter Green: Remembering a Legend

"He was the only one that gave me the cold sweats" 

– B.B. King on Peter Green

Last week, we lost a legend. Peter Green was a titan in the world of guitar and one of my personal guitar heroes; up there with Clapton as far as I’m concerned. Listening to those early Fleetwood Mac records was a formative, transcendent experience for me; the sound of his fingers combined with those famously out-of-phase PAFs was as captivating as it could be haunting.

I’ve been listening to those early Mac records a lot lately, as I’m sure a lot of people have. And, I thought I’d use this blog post to share a couple of feelings on my favourite tracks.

Play these loud, savour the music, and raise a glass to the late, great Peter Green. They don’t come much better than these, folks. 

The Green Manalishi (with the Two Prong Crown)

My very first introduction to Green’s Fleetwood Mac, the sheer swagger of “Green Manalishi (with the Two Prong Crown)” is just immense. The drama… those moody verses contrasted with those explosive stabs of guitar riff… It’s a master class in dynamics that had me hooked within seconds.

Oh Well (Part 1)

Can't help about the shape I'm in
I can't sing, I ain’t pretty and my legs are thin
But don't ask me what I think of you
I might not give the answer that you want me to

Damn. If that isn’t a rock n’ roll opening verse to a song I don’t know what is. Once again, the stop-start dynamics here are breathtaking and the explosive lead flourishes are testament to Green’s prowess as a player. Paired with the understated, introspective Part 2, it’s a masterclass in light and shade that showcases his impressive control. 

Man of the World

One of the great things about Peter Green was the sheer breadth of his playing. Contrast the cut and thrust of “Green Manalishi” and “Oh Well” with the tender restraint of “Man of the World.” It’s just gorgeous to listen to. Lyrically, the track takes on a tragic dimension, reflecting the LSD-related mental collapse that Green was suffering. As Mick Fleetwood noted of the song in his memoir:

 “With all that was happening for the band, we failed to see that our leader, Peter Green, was changing. There was a sadness to his lyrics that hadn’t been there before.” 

Albatross

That the instrumental Albatross was a mammoth hit for Fleetwood Mac is testament to the lyrical nature of Green’s guitar playing. One of the biggest selling instrumental songs in English history, it’s the track that the Beatles wished they’d written. 

As Rolling Stone notes: “Its heavily reverbed guitar partially inspired the Beatles’ “Sun King.” “We said, ‘Let’s be Fleetwood Mac doing “Albatross,” just to get going,’ ” George Harrison recalled. “It never really sounded like Fleetwood Mac  …  but that was the point of origin.”

What is your favorite Peter Green moment? Did you ever see him live? Share your stories in the comments. 



Also in Fingerboard Stories

A Beginner’s Guide to Open D Tuning
A Beginner’s Guide to Open D Tuning

September 26, 2023 4 min read

As promised at the end of that post, we would dive next into the world of Open D tuning, another favourite among many guitar players. Open D (and its variants of Open C and Open E) have been used by the likes of Derek Trucks, Joey Landreth, Stone Gossard, Neil Young and a plethora of other players.
What To Do When You Get The Call
What To Do When You Get The Call

September 19, 2023 5 min read

One of the last times I did a hired-gun gig for a house band, I got a call at around 7:30 a.m. on a Friday in February 2023. It was Shawn Sasyniuk (drummer/multi-instrumentalist extraordinaire and all-around great dude), asking if I was busy the following weekend and if I happened to be available for a couple of days. The guitarist that he originally wanted for a house band at a gig backing up several artists was no longer available to do it and he needed someone to fill the spot.
When You Need A Reminder
When You Need A Reminder

September 12, 2023 5 min read

You can however argue that Tyler Childers is way more “country” than the majority of Country artists on Top 40 radio. Songs from his album Purgatory sound like they belong in the same set as Hank Williams and George Strait, rather than Florida Georgia Line and Jellyroll. To my ears, what Childers is doing is Country Music in its most traditional and identifiable forms.