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Metallica’s James Hetfield is a metal legend.
A formidable songwriter, vocalist and one of the greatest rhythm guitarists in heavy music, he’s an institution in his own right.
Naturally, when we think of James Hetfield, we tend to think hard rock. But, if you know your Metallica, you’ll know just how indebted Papa Het is to the world of country. And, that love of old-time music sometimes finds its way into the Bay Area Thrashers’ output.
Case in point, here are three times that Hetfield swapped his Gibson Explorer for a slide and Stetson and went a little bit country.
Mama Said
Released in 1996, Metallica’s “Load” was a turning point album for the band, and remains a divisive record among fans. Yes, they’d strayed from their thrash roots into hard rock territory with “The Black Album,” but for many “Load’s” dalliances with blues and alternative were a step too far.
And then there was “Mama Said,” an acoustic country ballad unlike anything the band had ever released before. For some purists, Hetfield’s reinvention as a post-grunge good ole’ boy was heresy; the moment that the ‘Tallica boyz forfeited their crown as the masters of modern metal.
Yet, with a bit of much needed temporal distance, “Mama Said” is due something of a re-evaluation. If you want proof of Hetfield’s prowess as a songwriter, as well as his country credentials, this track is a pretty good place to start.
Don’t You Think This Outlaw Bit’s Done Gone Out of Hand?
Here’s James Hetfield sans Metallica for a rendition of Waylon Jennings’ “Don’t You Think This Outlaw Bit’s Done Gone Out of Hand.” Performed live at the Country Music Awards in 2004, the second single from Jennings’ “I’ve Always Been Crazy” album gets a suitably Hetfieldian treatment.
When Het goes country in Metallica, it usually means toning the band’s sound down. Here though, the inverse is true. It’s a raucous arrangement with shades of thrash and hardcore punk thrown in for good measure. It works though, and makes you wonder if he couldn’t carry a whole album of country standards in this style…
The Four Horsemen (Live at the Masonic)
If you’re familiar with Metallica’s debut album, “Kill ‘em All,” you’ve probably heard “Four Horsemen.” And, you’re probably aware that it ain’t country. A blistering slab of primordial thrash, it was one of the band’s calling cards when they pedalled their “young metal attack” back in the early ‘80s.
When the band took the stage unplugged at San Francisco’s Masonic last year, though, they gave the song an unexpected makeover. Complete with lap steel and some slinky slide playing from “Kirk Hammett,” this is “Horsemen” country style.
Het brings the twang on this one; less thrash metal beast, more snarling outlaw raconteur. “Sounds a little different,” he intones at the song’s end. He ain’t wrong, but it sure works. Goes to show: if Metallica’s thrashing prowess fails them in their twilight years, an unplugged reinvention could be a good way to age gracefully.
What’s your favourite country Hetfield moment? Or your favorite Metallica moment full stop? Share your stories in the comments!
When we’re young, there are several firsts that we’re not aware of, though our parents may relish in those moments. These are milestones such as first steps, first words, first trips to the potty, and so on.
As we age, there are more firsts that we become more aware of, such as our first kisses, first dates, and first times behind the wheel (often to our parents’ great fear in the passenger seat).
While punk and pop-punk are arguably defined by stacks of power chords and clean guitar passages, incorporating capos benefits the genre.
They can make some things more accessible to play. In interviews, Mike Ness of Social Distortion said he has a Gold Top Les Paul tuned down from E standard to Eb standard and capos the guitar at the second fret. This is to make playing certain things more accessible and comfortable, accommodating an old injury on his fretting hand. Thanks to capos, Ness can play in different keys.
While he can imitate the greats, his voice on the instrument is also distinct, blending virtuosic technique, great tone, incredible musicality and a healthy dose of humour. All of that has made him an in-demand clinician and very busy player, recording and touring with Asia, Dizzee Rascal, Steven Wilson, Hans Zimmer, and his project, The Aristocrats.
One does not travel this world without gaining experience and wisdom, which Guthrie has shared with many through the years. Without further ado, here is some of the knowledge he has passed on over the years.
